
The Theatre History Podcast
Episode 111: Warning: Armed Women! (w/ Dr. Sarah Burdett)
March 2, 202648 min · 7,228 words
Show notes
At the height of the French Revolution, a new fear gripped many people in England: Armed women. Scenes like the storming of the Bastille and riots over the price of bread in Paris, in which women figured prominently, led to concerns like the one expressed in a 1795 letter to a magazine, in which the writer worried that "young and beautiful" women might quit "the quiet scenes of domestic life to riot in the scenes of blood" that were occurring across the En…
Highlighted moments
adaptation could be used by female playwrights as a strategic ploy for bringing subversive ideologies to the stage without having to take full ownership of the ideologies that these women convey.
“it's thinking like a man rather than acting like a man that seems to be the biggest problem and seems to instill the most amount of fear in male commentators.”
“the figure of the armed woman, who had been really popularly presented in the Georgian Playhouse right throughout the 18th century, becomes a striking symbol of revolutionary disorder and chaos. So her negotiation on the stage now has to be really carefully policed in ways that it didn't quite need to be in centuries prior.”
“Siddons transform Lady Macbeth from a controlling and dissimulative virago into a sentimental, repentant and familial queen, and finally into a haunting apparition. And this process of development really strikingly mirrors shifting depictions of Marie Antoinette in British representations.”
Transcript
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